-
Get a Free Issue
of our Ezine!
A new collection—about loss, alienation, aging, and the strangeness of contemporary life—by the award-winning, and inimitable, author of The Book of Goose.
A grieving mother makes a spreadsheet of everyone she's lost. Elsewhere, a professor develops a troubled intimacy with her hairdresser. And every year, a restless woman receives an email from a strange man twice her age and several states away. In Yiyun Li's stories, people strive for an ordinary existence until doing so becomes unsustainable, until the surface cracks and the grand mysterious forces—death, violence, estrangement—come to light. And even everyday life is laden with meaning, studded with indelible details: a filched jar of honey, a mound of wounded ants, a photograph kept hidden for many years, until it must be seen.
Li is a truly original writer, an alchemist of opposites: tender and unsentimental, metaphysical and blunt, funny and horrifying, omniscient and unusually aware of just how much we cannot know. Beloved for her novels and memoirs, she returns here to her earliest form, gathering pieces that have appeared in The New Yorker, Zoetrope, and elsewhere. Taken together, the stories in Wednesday's Child, written over the span of a decade, articulate the cost, both material and emotional, of living—exile, assimilation, loss, love—with her trademark unnerving beauty and wisdom.
"Splendid and elegantly observed ... Distinguished by their fully realized characters, nuanced narration, and striking portraits of everyday struggles, these stories find Li at the top of her game."
―Publisher's Weekly (starred review)
"An infinite variety of ways to survive―or, at least, march through―devastating loss are cataloged in Li's cool and measured litany of pain ... The cumulative mass of the stories is sobering, a gorgeous almanac ... Quiet, beautiful accounts of journeys through hell."
―Kirkus Reviews (starred review)
"Breaks may be required between these 11 stellar stories, both to absorb the brilliance of Li's prose and to honor the breathtaking heartbreak trapped within ... [An] exquisite collection ... Storytellers become lifesavers—ironically, tragically, even of the dead."
—Booklist (starred review)
This information about Wednesday's Child was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Yiyun Li is the author of six works of fiction—Must I Go, Where Reasons End, Kinder Than Solitude, A Thousand Years of Good Prayers, The Vagrants, and Gold Boy, Emerald Girl—and the memoir Dear Friend, from My Life I Write to You in Your Life. She is the recipient of many awards, including the PEN/Malamud Award, the PEN/Hemingway Award, the PEN/Jean Stein Book Award, a MacArthur Fellowship, and a Windham-Campbell Prize. Her work has also appeared in the New Yorker, A Public Space, The Best American Short Stories, and The PEN/O. Henry Prize Stories, among other publications. She teaches at Princeton University.
Name Pronunciation
Yiyun Li: ee-yoon lee
Pony Confidential
by Christina Lynch
In this whimsical mystery, a grumpy pony must clear his beloved human's name from a murder accusation.
.png)
There are two kinds of light - the glow that illuminates, and the glare that obscures.
Click Here to find out who said this, as well as discovering other famous literary quotes!
Your guide toexceptional books
BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.
